DRIES  SEGERS

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info/cv

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UN

 

   a circle, a line, a cross

 

   143 folds

 

   never, nowhere

 

responding rain

 

   hits of sunshine

 

   undecided photographs

 

   (kelvin)

 

   black body ()

 

   etudes autrales

 

 

 

ON

 

   fungi

 

   burn our wings

 

   when the fire and the rock

 

   a vale of desolation

 

   what is behind that curtain

 

   portrait memory

 

   seeing a rainbow

 

 

 

PUBLISHED

 

   seeing a rainbow

 

   fungi

Title: 'FUNGI'

Author: Dries Segers

36 pages, 42x28 cm

200 copies

design: Chloé Dhauwe & Ine Meganck

text: Hannah De Meyer

print: Stockmans, Duffel

selfpublished

ISBN 9789463883092

29€

 

fungi, 2019

 

Last autumn I photographed fungi in Dudenpark, Brussels. Fungi are the oldest living species on our planet. They build and spread their communities across human borders, continents, laws ... They take over land without asking permission. They clean up toxic messes in disturbed landscapes and shake the land back to life to create livable grounds for animals, plants and maybe humans. They have the power to transport energy between weaker and stronger trees, to keep forests alive or to kill them. Their spores are invisible and spread and spread and spread. “The uncontrolled lives of mushrooms are a gift — and a guide — when the controlled world we thought we had fails.”*

 

The project consists out of an installation and a publication. The installations shows 4 blowups of marcro-photographed fungi. The prints will appear and disappear according to the temperature in the room. Two heating systems are installed underneath the works to provide changes. By a timing system the heaters will go on and off. The viewer will not be able to control what he sees. Each hour the images will be different showing and hiding parts of the work. The (un) natural process of appearance is accompanied by the responsibility, care and patience of the spectator.

 

 

* Anna Lowenhaupt Tsing, ‘The Mushroom at the End of the World, On the Possibility of Life in Capitalist Ruins’, Princeton University Press, 2015