Kelvin, 2015

framed, 16 seperate baryt-prints


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The work (kelvin) came on to me by driving my bike through a tunnel. From one exact spot i saw lightning falling on to the walls of this transitzone.


By photographing these artificial lights (1700K - 3200K) with an analogue daylight film (5000K - 6500K). The technique of photography was used to construct an image only making itself visible by chemistry and physics. The available light was in constant flux.


The (daylight) film didn’t know how to react on this lighting and chose its own color. My scanner also didn’t know how to handle these images and created a next step into the process. It also added dust to the images. All these steps where in the hands of the medium itself. I was not able to influence this process.